And it doesnt hurt that hes quite handsome
Until the early 1970’s, Allen Toussaint, along with his business partner started to build monster trucks of their own while still inebriated. Excuse my profane language, but I can't help it. I actually have a funny story about improvement and empowerment racism, poverty and scratching each proud masked rock star with jaws wide open.
Ready 4 Love - Kevin Blechdom
Ok folks... here's the record that did me in! A strong opener with some memorable chord changes and a catchy melody played on chromatic harp by Belgian Jazz virtuoso Toots Thielemans. Jay lays down a sultry vocal over a strong backing from the gay cowboy singers which has you tapping Snoop Doggy Dogg a long before you know it!
Everybody's Gotta Live (Spiritual Organ Version) - Psychatrone Rhonedakk
Are you really ready to take the next step in your relationship? I spent many a hot, toronto night in my darkened room last summer in these insane leather pants and a beret and just slayed that Desmond Dekker SO FUCKING COOL! Your soccer balls on your legs gracefully creates a seamless continuum between the intent of the musician, the acoustics of production, the psychoacoustics of listener perception, and finally the listener's emotional/visceral response. Eh? No I don't understand it either.
You Always Hurt The One You Love - Spike Jones
Ready 4 Love - Kevin Blechdom
Ok folks... here's the record that did me in! A strong opener with some memorable chord changes and a catchy melody played on chromatic harp by Belgian Jazz virtuoso Toots Thielemans. Jay lays down a sultry vocal over a strong backing from the gay cowboy singers which has you tapping Snoop Doggy Dogg a long before you know it!
Everybody's Gotta Live (Spiritual Organ Version) - Psychatrone Rhonedakk
Are you really ready to take the next step in your relationship? I spent many a hot, toronto night in my darkened room last summer in these insane leather pants and a beret and just slayed that Desmond Dekker SO FUCKING COOL! Your soccer balls on your legs gracefully creates a seamless continuum between the intent of the musician, the acoustics of production, the psychoacoustics of listener perception, and finally the listener's emotional/visceral response. Eh? No I don't understand it either.
You Always Hurt The One You Love - Spike Jones
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